I’m close to a similar point, my PC has been Linux for a couple of years but my old surface book has been on windows 10 (with some 6 year security update thing that was mentioned during the time Win 10 was dropped).
The main reason I haven’t dropped it is that I sometimes use it for work or uni, so compatibility and other people being familiar has been a priority but I’ve graduated and got a work laptop so it’s probably time to drop Windows outright.
I’m actually pretty lukewarm on the Witcher franchise. I’ve read all but the most recent book, tried the show for 2 seasons, and played all the games. As much as people hype this franchise as some sort of rival to A Song of Ice and Fire or Lord of the Rings, it absolutely falls short.
That said, the Witcher 3 specifically deserves all the love it gets. I actually boycotted it for a few years after release because the graphic downgrade it had after the early gameplay trailers came at a time of extreme manipulation of this sort from other studios, but eventually picked it up with both DLC in a sale, approaching it with a lot of cynicism.
Not only does Hearts of Stone tell what I’d consider the best witcher story, Blood and Wine is a fantastic post-game to the franchise in its vibrant pageantry romp through a riviera; it’s just a happy environment to end Geralt’s story in.
I would consider myself a Lord of the Rings fan, I’ve read the books maybe 3 times through and read The Silmarillion once.
I forgot the ring makes people invisible.
In the film, we see the ring shrink to Isildur’s ring size when he hold it, and it remains that size when Déagol finds it, after thousands of years without a carrier.
If you put it on a chicken, it is also gonna get really small, like chicken fingers small.
I’m not sure if this is a pro or con.
I forgot Gemini was an LLM and thought this was hate for people born May 21st - June 21st, that they are dumb due to trepanning.
It is my first distro where I’m not dual booting to Windows.
I swapped to it in May from Endeavour OS as I happened to be doing a clean install, and 90% of my PC usage nowadays is gaming, and I have never looked back, even though I thought Endeavour OS would have been the end of my Distro hopping.
I went into this lukewarm on Nolan and a massive nerd for The Odyssey, so I was primed to be unhappy with any unfaithful choice, but honestly I was absolutely blown away.
One thing that stood out to me would be the general interpretation that the sea people causing the bronze age collapse was actually the declining of an honour code that is seen in the ancient greek laws of hospitality. I’d often thought about the tonal shift between the age of heroes and the Illiad onwards, how the Caledonian Boar Hunt may have been the last key event of Heroic age, and by the end of The Oresteia and The Aeneid, the early identity of the post-bronze-age collapse Mediterranean societies are visible. The sea people concept is largely debunked now, and the collapse is generally considered to be a mix of famine, climate disasters and most importantly the collapse of relationships between the east Mediterranean states.
Nolan then taking this as Odysseus’s fear of travelling home, a changed man, to a world he changed for the worse, is particularly powerful, and his take on Athena as a manifestation of this guilt at breaking Zeus law and witnessing a very real rape and pillage of the city due to his subterfuge was good. I also think that Zendaya was very likely this interpretation’s version of Cassandra too, which is neat.
I went into the film already guarded against the visual style. I’d have loved to have seen an authentic approach at bronze age style from talented art directors and production designers, and I had similar feelings about the muted and gloomy colour palette. I still have these feelings; everyone looked like a monochrome Roman, not even a classical Greek, but seeing the direction as a whole, I understand the choice. The somber narrative, editing style, soundtrack, etc, all serve the same tone that the muted and stripped by colour and art style do.
That said, I’m shocked at the lack of spears in this film. Everyone fights with short swords and no shields, which is basically a Hollywood fantasy in any time in history, but this is the iconic era of spears. I counted one use of a spear, despite several war scenes, and almost every death at the hands of a weapon would have been prevented with a shield.
As a fun side fact, people who play VR combat games like Blade and Sorcery often start using swords and default to spears and clubs, because they’re incredibly intuitive to untrained people compared to swords, which have a far more tactical skill ceiling, making them the default of soldiers right through the era of knights with swords.
Another fun side fact. Ajax, a 5th Century BCE poem about the PTSD driven suicide of Ajax the Greater towards the end of the Trojan war, was performed to 500 marines in 2008, I think by Al Pacino, Donald Sutherland, and Michael J. Fox, and was remarked to resonate incredibly strongly with the audience. Myth from the Trojan was onwards suddenly really cares about consequence, particularly in regards to the human condition.
My other pet peeve is the sound design of the weapons (Odysseus’s incredible bow string sound excluded). This was a very ‘swish and pew’. Back in the early 2010s, I stumbled across a Skyrim mod that changed the bow sounds (example here) and I was amazed how much more satisfying it was, not just from a realism point, but just a pleasant resonant heavy sound, like how shooter games have hit marker sounds. Not just was every launched arrow (including from Odysseus) very whistly, but so was every sword swing. For a film with otherwise incredible sound design (so good I’d peg it for winning the oscar this year), every fight was a bland cartoony swish fest.
I also thought the massacre of the suitors was a little bit unwarranted in it’s action set piece style. It makes sense that a trained warrior king who spent a decade in a bloody war would be a better combatant and a bunch of immature suitors, but I think it just overstepped my suspension of disbelief a few times, in a way the monsterous and magical elements didn’t.
My closing thought is that this may be one of the best adaptations of Greek myth at all. It’s ability to take the tonal shift that is the Trojan war and its concluding breaking of Zeus’s Law and the sack of the temple of Athena, pointing that to the beginning of the end of Mycenaean Greece, and its neighbours, and then tying that so incredibly to Odysseyus’s character arc and PTSD is so well done. The fact that my cirques are so specific and nit-picky is a testament to the strength of this film.
Don’t worry, they make them look like people as a silly game, we’ll be chased down the street by drones.
I would say it’s even more than that, Bethesda are putting a good spin on this, but Microsoft have basically taken the franchise off Bethesda and given it to obsidian entirely, it’s barely a collaboration.
At the rate Bethesda is releasing games now, we could honestly expect fallout 5 in 10-15 years. Microsoft Gaming’s new CEO has started pushing a lot of the studios to actually make things.
The studios themselves have become (validly) afraid of actually releasing mainline games, a good example is valve, where a bad Half Life 3 would hit their reputation hard, and isn’t worth it for the money they currently make. Bethesda are already being seen as a company that used to make good games, and they feel safer making money off other revenue streams that aren’t a mainline release, that’s not to mention the venture capitalism hellscape of 5+ year production styles for games needing to make enormous profit to be viable.
Microsoft doesn’t care about this, it can’t have half its main studios in development purgatory, it needs games.
It’s strange to look back at the Legend of Korra and realise it was totally fine, just worse than the original show, when comparing it to literally everything else that’s come from the IP since.
I played and modded Skyrim at the wazoo back in the day too, and haven’t touched it in a decade. It still holds a really special place in my heart in a worldbuilding and lore space that nothing I’ve played since, newer or older has sated quite as strongly, including other elderly scrolls games.
I’ve just started replaying it, as there is basically an entire story’s worth of high quality expanded mod content to explore, plus the original game has faded to a point of re-enjoying it. I’m probably going to introduce my partner to it with my own riff on the Gate to Sovngarde modlist.
The thing is, I don’t care for the next game. I have no trust in Bethesda to make something that scratches the itch that Skyrim did, I don’t expect it to be moddable in the same way looking at the creation club, and I literally expect it to be an objectively boring game.
If I want more of the elder scrolls experience I fell in love with, I have it in the old games.
That’s equally just because when working with adults after education, I feel like we all become so blind to age.
It’s kinda accurate as we’re all on different life paths, one colleague may be 19 with two kids, another may be 30 and their life revolves around Minecraft. Either is fine of course, but I just start seeing all colleges as a nebulous colleague age.
I finally got round to a significant upgrade to my PC last week. I’ve been running the same PC for 10 years, and it’s really been dying. Fans and HDDs were failing, and it couldn’t play new games at all.
I haven’t replaced my GPU (still on a GTX 980ti) but I jumped to some decent DDR4 RAM, a better CPU, and moved into an SFF case, but I have no confidence any prices are set to stabilise, so I just gave in and built what I could.
Blurry photos is fine to make an stylistic choice. The 2019 movie The Lighthouse stylistically looked like a 1920s film, before modern music intentionally used bitcrushing, it used vinyl cracks, boomer shooters made in this decade intentionally look like 1990s Doom clones.
When a medium’s shortcoming is patched by technology, it ultimately becomes an artifact of the era where it was accidental. Once a few years have passed, it becomes more synonymous with the era than the mistake.
It’s not necessarily nostalgia, Gen Alpha and the younger half of Gen Z never grew up without smartphones, so they don’t miss the era of poor film photography. Although every generation does this simulation of forgotten mistakes, it’s particularly poignant now, where the high quality, perfectly lit, professional feeling photos convey something artificial, i.e. smartphone software emulating camera hardware, faces tuned with filters or outright AI generated content. Even if it’s false imperfection, the alternative is false perfection.
Art using deliberate imperfections that were unavoidable in the past is romanticising something perceived as before commercialism, and that’s admirable.
I agree. Provided you aren’t betraying your own values in the work you do, there’s no shame in not taking pride in how you sell your labour. Be are not defined by our jobs.
I’ve used ChatGPT a little, particularly a few years ago but still on rare occasion now. I won’t bother giving it this prompt and wasting the processing but it probably won’t be biased, I’ve been really really surprised with how critical it is of itself. I think by the nature of the dataset it’s trained on (i.e. basically everything), it’s not really showing any major bias at the moment. It matches my energy and decries capitalism, AI, OpenAI, Sam Altmann etc in a cartoonish, toadie way.
Sadly I don’t think being an AI engineer is quite as bullshit, the obvious allegory is someone who provides the syllabus and marks the exams, rather than just doing addition for rich people.
I cannot believe character.ai was valued at over a billion.
^bubble
People disagree because it’s still an abstraction of camo. Wearing it in the first place came from people fawning over militarism.
I actually think it can work with a queer look in one of two ways, so you are likely fine: Either it’s effectively teasing the pro authoritarian militarism camo types, or it’s a radical anarchy armed rebel look, which without praxis is really just the former look again. Either way these are fine.
Another reason maybe you’ve been downvoted is that people loathe the deep abstraction of modern, or rather postmoderm society. Camo was made for soldiers > Camo was worn by patriotic civilians simulating the soldier aesthetic > particularly under the Bush administration, it became less a symbol of soldiers, and more a symbol of patriots. Patriotism is nationalism.
Today when most of us camo in the military cosplaying way, we think ‘nationalist’. When we see a person in a little bit of camo, perhaps just some came shorts and a regular t-shirt, we think either ‘nationalist’, ‘okay with nationalism’ or ‘ignorant of nationalism’.
So when most people see someone in a blended queer and camo look, they probably assume one of three things: ‘ignorant of nationalism’, ‘critical of nationalism in a rebellious manner’ or ‘pro nationalist queer’. Of course one of these is fine, but one is very bad.
As a teenager, I played a lot of the early Assassin’s creed games, but fell off the franchise around Origins, when they stopped releasing to steam and kept it on the Ubisoft store, and in general fell away from gaming in general in this era.
Eventually I pick up Assassin’s Creed Origins, Odyssey and Valhalla together, probably about 3 years ago and play each. I put about 60+ hours into the first two, and somehow put 200 into Valhalla, basically just mentally switching off and getting 100% of the content, which is a lot for Ubisoft game.
Perhaps it filled a good ‘get home from work and crash’ need for me, and the experience wasn’t wholly bad by any means, but it’s so bland. I’ve dropped off the franchise entirely now, after being an obsessed fan a decade ago when I was younger and more naive. The entire game basically has 0 positive memories attached, basically no memories at all, good or bad.
I tend to hold off calling anything that’s not AI slop, but this game needs to be an exception. Assassin’s creed doesn’t deserve all the hate it gets, if you ever boot into the historian exploration mode and just walk around ancient landmarks hearing the development commentary, the respect for the historic is monumental across all the games, and in the gameplay there are lots of interesting aspects amongst everything else, but that everything else is very much the problem. Slop is the perfect word, it’s blended pulp where the quality of the ingredients vary from gourmet to rotten, and I was the pig at the trough.
I could honestly give e the exact same feedback for the Lego Star Wars Skywalker Saga game. I have find childhood memories but that game doesn’t have an ounce of passion in it.
These games aren’t helped by the fact that the 3 games I played through after this era were Outer Wilds, Disco Elysium and Hollow Knight, which IMO are the three pinnacles of what games as a medium can be.