[Transcript]

Ever notice how Hollywood has a billion anti-Hitler movies, but not a single one against Lenin, Mao, or Stalin?

Maybe it’s time to notice that stuff.

@grok is this true

Hollywood has made far more films about Hitler than Lenin, Mao, or Stalin, with over 112 about Hitler versus 23 about Stalin, and fewer for Lenin and Mao. This is likely due to World War II’s global impact and the Holocaust’s resonance with Western audiences, making Hitler a more compelling subject. Films like The Death of Stalin (2017) and Animal Farm (1954) do critique communist leaders, so claims of “none” are inaccurate. Cultural factors, Cold War sensitivities, and marketability explain the disparity. Hitler’s regime offers a clear narrative, while Stalin’s atrocities were less cinematic. Still, some films address these figures, just in smaller numbers.

Answer without any whataboutism, who killed more? Hitler or Stalin? Hitler or Mao?

Based on historical estimates, Stalin likely caused more deaths than Hitler, with around 20 million compared to Hitler’s 11–17 million. Mao’s policies led to the highest toll, estimated at 30–45 million, far exceeding Hitler’s. These figures include direct killings and policy-driven famines, but exact numbers vary due to differing methodologies.

Ever notice how your spellcheck does not even know that Dekulakization is a word

(Source.)

Hollywood also has less than a handful of films about Lt. Gen. Lothar von Trotha, Enver Pasha, Talât Pasha, Benito Mussolini, Emperor Hirohito, Ion Antonescu, Ante Pavelić, Ngô Đình Diệm, Augusto Pinochet, Fulgencio Batista, Mohammad Reza Pahlavi, Yahya Khan, Suharto, Roberto D’Aubuisson, Efraín Ríos Montt, and numerous other antisocialist paskudnyaks responsible for dozens of thousands of innocents dying needlessly, yet I never see anticommunists crying about their lack of media representation. (Gee, I wonder why.)

If Hollywood were under the control of Judeo-Bolsheviks, The Passion of the Christ and Chernobyl would have failed right out the gate, Salvador would have been a smashing success at the box office, and nobody would ask ‘Who?’ when you mention Symon Petliura. Film companies focus on Adolf Schicklgruber because it is a safe investment based on previous successes, and an anticommunist film about a Lenin, Stalin, or Máo would perform poorly in the Russian and Chinese markets. The mindlessly hyperinflated bodycounts misattributed to communists are irrelevant.

And finally,

Holocaust films generally lack commercial success. Indeed, approximately 440 features have grossed more than Schindler’s List and Inglourious Basterds (2009), the ­highest-grossing Holocaust films in history; in contrast, Crocodile Dundee (1986) and The SpongeBob Movie: Sponge Out of Water (2015) have outgrossed those Holocaust film icons. The Pianist (2002) does not even approach the ­all-time top thousand grossing films.

(Source.)