DailyComic@sh.itjust.worksB to Calvin and Hobbes@lemmy.worldEnglish · 14 days ago24 May 1988sh.itjust.worksimagemessage-square13fedilinkarrow-up1258arrow-down11
arrow-up1257arrow-down1image24 May 1988sh.itjust.worksDailyComic@sh.itjust.worksB to Calvin and Hobbes@lemmy.worldEnglish · 14 days agomessage-square13fedilink
minus-squareBonifratz@lemm.eelinkfedilinkEnglisharrow-up59·13 days agoWatterson’s art is fantastic. I love how the second panel goes haywire just like Dad’s emotions, with his arms going over the text and into the neighbouring panels.
minus-squareThe Quuuuuill@slrpnk.netlinkfedilinkEnglisharrow-up22·13 days agothird panel dad is the panel. it’s more subtle, but i think it’s more impressive at conveying the tone
minus-squareAwesomeLowlander@sh.itjust.workslinkfedilinkEnglisharrow-up14arrow-down2·edit-213 days agoObviously AI slop, count the fingers. Tap for spoiler /s, because somebody will think I’m fucking serious otherwise
minus-squareocean@lemmy.selfhostcat.comlinkfedilinkEnglisharrow-up1arrow-down1·13 days agoDo they be in
minus-squareThe Quuuuuill@slrpnk.netlinkfedilinkEnglisharrow-up3·13 days agowell now i don’t understand
Watterson’s art is fantastic. I love how the second panel goes haywire just like Dad’s emotions, with his arms going over the text and into the neighbouring panels.
third panel dad is the panel. it’s more subtle, but i think it’s more impressive at conveying the tone
Huh
look at his hands
Obviously AI slop, count the fingers.
Tap for spoiler
/s, because somebody will think I’m fucking serious otherwise
Do they be in
well now i don’t understand