DailyComic@sh.itjust.worksB to Calvin and Hobbes@lemmy.worldEnglish · 3 months ago24 May 1988sh.itjust.worksimagemessage-square13linkfedilinkarrow-up1262arrow-down12
arrow-up1260arrow-down1image24 May 1988sh.itjust.worksDailyComic@sh.itjust.worksB to Calvin and Hobbes@lemmy.worldEnglish · 3 months agomessage-square13linkfedilink
minus-squareBonifratz@lemm.eelinkfedilinkEnglisharrow-up60·3 months agoWatterson’s art is fantastic. I love how the second panel goes haywire just like Dad’s emotions, with his arms going over the text and into the neighbouring panels.
minus-squareThe Quuuuuill@slrpnk.netlinkfedilinkEnglisharrow-up23·3 months agothird panel dad is the panel. it’s more subtle, but i think it’s more impressive at conveying the tone
minus-squareAwesomeLowlander@sh.itjust.workslinkfedilinkEnglisharrow-up15arrow-down2·edit-23 months agoObviously AI slop, count the fingers. Tap for spoiler /s, because somebody will think I’m fucking serious otherwise
minus-squareocean@lemmy.selfhostcat.comlinkfedilinkEnglisharrow-up1arrow-down1·3 months agoDo they be in
minus-squareThe Quuuuuill@slrpnk.netlinkfedilinkEnglisharrow-up3·3 months agowell now i don’t understand
Watterson’s art is fantastic. I love how the second panel goes haywire just like Dad’s emotions, with his arms going over the text and into the neighbouring panels.
third panel dad is the panel. it’s more subtle, but i think it’s more impressive at conveying the tone
Huh
look at his hands
Obviously AI slop, count the fingers.
Tap for spoiler
/s, because somebody will think I’m fucking serious otherwise
Do they be in
well now i don’t understand