Instead of confronting fascism, Thomas Friedman invented a whole new political identity based on… squints at notes… Google’s self-driving car subsidiary.
You can’t make this stuff up.
And nor should you.
My analysis of elite denial…
I cannot believe this asshole is still writing columns.
For anyone who’s not familiar, I want to really encourage you to read Matt Taibbi in his pre-dementia days, executing some of the modern century’s greatest journalism by reviewing Tom Friedman’s work without mercy.
Thomas Friedman does not get these things right even by accident. It’s not that he occasionally screws up and fails to make his metaphors and images agree. It’s that he always screws it up. He has an anti-ear, and it’s absolutely infallible; he is a Joyce or a Flaubert in reverse, incapable of rendering even the smallest details without genius.
In a Friedman book, the reader naturally seizes up in dread the instant a suggestive word like “Windows” is introduced; you wince, knowing what’s coming, the same way you do when Leslie Nielsen orders a Black Russian. And Friedman doesn’t disappoint. His description of the early 90s:
The walls had fallen down and the Windows had opened, making the world much flatter than it had ever been–but the age of seamless global communication had not yet dawned.
How the fuck do you open a window in a fallen wall? More to the point, why would you open a window in a fallen wall? Or did the walls somehow fall in such a way that they left the windows floating in place to be opened? Four hundred and 73 pages of this, folks. Is there no God?
Friedman came up with lines so hilarious you couldn’t make them up even if you were trying-and when you tried to actually picture the “illustrative” figures of speech he offered to explain himself, what you often ended up with was pure physical comedy of the Buster Keaton/Three Stooges school, with whole nations and peoples slipping and falling on the misplaced banana peels of his literary endeavors.
Remember Friedman’s take on Bush’s Iraq policy? “It’s OK to throw out your steering wheel,” he wrote, “as long as you remember you’re driving without one.” Picture that for a minute.
Or how about Friedman’s analysis of America’s foreign policy outlook last May: “The first rule of holes is when you’re in one, stop digging.When you’re in three, bring a lot of shovels.”
First of all, how can any single person be in three holes at once? Secondly, what the fuck is he talking about? If you’re supposed to stop digging when you’re in one hole, why should you dig more in three? How does that even begin to make sense?
It’s stuff like this that makes me wonder if the editors over at the New York Times editorial page spend their afternoons dropping acid or drinking rubbing alcohol. Sending a line like that into print is the journalism equivalent of a security guard at a nuke plant waving a pair of mullahs in explosive vests through the front gate. It should never, ever happen.
Even better was this gem from one of Friedman’s latest columns: "The fighting, death and destruction in Gaza is painful to watch. But it’s all too familiar. It’s the latest version of the longest-running play in the modern Middle East, which, if I were to give it a title, would be called: “Who owns this hotel? Can the Jews have a room? And shouldn’t we blow up the bar and replace it with a mosque?” There are many serious questions one could ask about this passage, but the one that leaped out at me was this: In the “title” of that long-running play, is it supposed to be the same person asking all three of those questions?
I miss you, Matt. Come back. Whatever the Russians are blackmailing you with to make you write gibberish, just let them follow through with it and come back to the light. I’m sure it’s not that bad.
